Allen, Paul and Jan. Endeavouring to Crack the Morse Code (UK: Lightning Source UK Ltd)
Anfam, David, Augury essay in A Flock of Birds catalogue (Los Angeles, 2009/Art Ex Ltd)
Armes, Roy. A Critical History of British Cinema (London: Secker and Warburg, 1978)
Aylett, Holly (Ed.). Marc Karlin: Look Again (UK: Liverpool University Press, 2015)
Brownlow, Kevin. How It Happened Here (London: Secker and Warburg/BFI, 1968)
Croall, Jonathan. Gielgud: A Theatrical Life 1904-2000 (London: Methuen/revised and updated edition)
Curtis, David. A Directory of Film and Video Artists (England: John Libbey Media/The Arts Council of England)
Dickinson, Margaret. Rogue Reels: Oppositional Film in Britain, 1945-1990 (London: BFI Publishing, 1999)
(ed: Scott never belonged to the London Filmmakers Co-op as stated on page 51)
Ellis, John (ed.)  1951-1976 British Film Institute Productions: A Catalogue of Films made under the auspices of the Experimental Film Fund (1951-1966) and the Production Board (1966-1976) (London: BFI, 1977)
Falk, Quentin. Anthony Hopkins: The Authorized Biography [1989 paperback] (Interlink Books, New York, 1989)
Hodgson, Clive. “From Artists to Cleaners”. Interview with James Scott in Film (BFFS) v. 2, n. 4, July 1973.
Frank, Peter,  James Scott: A Caustic Exuberance,  Exhibition Safe Release Don O’Melveny Los Angeles, 2001
Horne, William. “Greatest PleasuresA Taste of Honey (1961) and The Loneliness of the Long DistanceRunner (1962)” in Welsh, James M. and Tibbetts John C. (eds.) The Cinema of Tony Richardson: Essays and Interviews (New York: State University of New York Press, 1999)
Johnson, Claire and Paul Willemen.  'Brecht in Britain: The Independent Political Film (on the Nightcleaners)', Screen, Vol. 16, No. 4, Winter 1975/1976, pp. 101-118
Kilday, Gregg. “Versatile Talent Was Acting Royalty.”  (Natasha Richardson obit)  Hollywood Reporter, vol. CDIX, no. 2, 19 Mar. 2009
Loukopoulou, Katerina. “The Sea” (1962): James Scott’s Unfinished Woodfall Film in Sights Unseen: Unfinished British Films edited by Dan North, (Newcastle: Cambridge Scholars Publishing, 2008)
MacPherson, Don. Britse Onbeholpenheid: Een Interview Met James Scott.” Film International Kwartaal, vol. 80, n. 4, Rotterdam 1980
McGrath, Patrick. James Scott 1991-1995. (New York, 1996)
Melly, George. The Great Ice Cream Robbery Review. Observer, London 16 April 1972
Nash, Mark. Making History; Art and documentary in Britain from 1929 to Now (Liverpool, Tate Liverpool, 2006)
O’Pray, Michael (ed.) The British Avant-Garde Film (University of Luton Press, 1996)
Parks, James. Learning to Dream: The New British Cinema.  Interview with James Scott (London: Faber & Faber, 1984)
Scott, James. A Flock of Birds. Introduction by David Anfam, Los Angeles, 2010.
Scott, James. Abstract Drawings, or Nuts and Bolts, (Los Angeles, SWC Editions, 2003)
Scott, James. Cracks (Los Angeles: Fine Arts Printing, 2005)
Scott, James. Hope. Los Angeles, 2016.
Scott, James. “Independent Cinema” in Stills, v.1, n.4, 1982
Scott, James. Some Bigger Ideas. Los Angeles, 2015.
Scott, James. “Them and Us” an illustrated film script,  1970
Stern, Kathryn Glasgow. Boxes and Windows , selected poems, (Los Angeles: Lettra, 2007)
Stevenson, Randall, The Last of England (Vol 12; 1960-2000) Front cover illustration (Oxford University Press, 2004)
Street, Sarah. British Cinema in Documents (London: Routledge, 2000)
Strick, Philip. “Clubs” in Films and Filming, August 1971.
Taylor, B. F. The British new wave: a certain tendency? (Manchester; New York: MUP, 2006)
Temple, Michael. ‘Inventer un film. Présentation de Moi Je’ in Jean-Luc Godard:Documents (Paris : Centre Georges Pompidou, 2006)
Walker, Dorothy, Modern Art in Ireland (The Lilliput Press, Dublin, 1997)
Wyver, John, Vision On; Film, Television and the Arts in Britain (Wallflower Press, London, 2007)